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Tag: Tips-y Tuesday

Tips-y Tuesday: Cosplay as Your Novel’s Characters

Last week on Tips-y Tuesday we talked about the benefit of writing your query letter’s synopsis letter before starting your manuscript. This week I’d like to change gears and talk about something completely different: cosplaying as your novel’s characters.

For those unaware, “cosplay” (portmanteau of “costume” and “play”) means dressing up like a character from a movie, video game, or TV show. For some extensive examples of cosplay, check out the cosplay-related articles on RocketNews24.

But the thing about cosplay is, not all characters are as popular to cosplay as others. Sure, the most popular characters are of course going to be from the most popular media (anime, Game of Thrones, Harry Potter, etc.), but there’s also another factor: how identifiable the characters are.

Tips-y Tuesday: Write Your Synopsis FIRST

Last week on Tips-y Tuesday we talked about the benefit of writing your query letter before starting your manuscript. In a similar vein, today I’d like to talk about flipping another idea on its head: writing your synopsis first too.

For those unaware, the synopsis is typically a one page summary of your novel’s plot from beginning to end. When you send out your query letter to prospective literary agents, many of them will also request a synopsis as well.

Again, similar to a query letter, writing a synopsis may not seem so bad… until you actually have to do it. At least with the query letter you’re supposed to not tell everything that happens and leave a little room for mystery and intrigue. With the synopsis though, you literally have to condense your book into one page. Double spaced.

Tips-y Tuesday: Write Your Query Letter FIRST

Last week on Tips-y Tuesday we talked about how to stay on track and write every day. This week I’d like to talk about a strategy for writing novels that I’ve recently employed: writing the query letter first.

For those unaware, the query letter is the short letter you write to prospective literary agents once you’ve finished your manuscript. It consists of a short greeting, a back-of-the-book summary of your novel, any writing credentials you have, and that’s about it.

Now that may not sound so bad, but writing the query letter can be one of the most frustrating and stressful parts of writing a novel. I used to tell my writing group that writing the manuscript is the easy part, afterwards comes the hard part.

Tips-y Tuesday: Keeping the Writing Train on Track

Last week on Tips-y Tuesday we talked about how wasted time is never wasted. This week I’d like to talk about one of the most difficult parts of writing: staying on track and writing consistently.

We’ve talked before about scheduling dates with writing in order to finish your project within the timeframe you want. For example, if you want to finish writing a book in four months, you can do it easily as long as you come up with a reasonable schedule.

But even if you come up with the greatest writing schedule in the world… it means nothing if you don’t stick to it.

Tips-y Tuesday: Wasted Time is not Wasted

Last week on Tips-y Tuesday we looked at how sharing our writing is scarier than Halloween but totally worth it. This week I’d like to talk about something I know I fear as a writer: wasting time.

Whenever I start a new writing project, one fear above all hovers over me: the fear that I’m wasting my time. Not that I’m wasting my time because the book might not get published (see Finding “The One” for more on that fear), but that I’m wasting my time because halfway into the book – or maybe when I reach the end – I might discover that I don’t like where it’s going and will have to scratch it.

And if that were to happen, months – perhaps years – of my life would have been wasted on something that didn’t matter.

Tips-y Tuesday: Sharing our Writing – Scarier than Halloween

Last week on Tips-y Tuesday we looked at how to schedule a hot date… with writing. This week I’d like to talk about something that I and many other writers dread doing: sharing our work with others.

I was inspired to write about this after reading a recent blog post at Operation Awesome. It was an interview with Brandon Ho, a screenwriter, where he talked about his journey going from “script to screen.” You can read the full post here.

There’s a lot to learn from Brandon’s words, but one part I really liked was this that he had to say about sharing your work:

Tips-y Tuesday: How to Schedule a Hot Date (With Writing!)

Last week on Tips-y Tuesday we looked at how it can take a while to find “The One” when you’re trying to publish, but you’re not alone in that struggle, and getting there eventually is worth it.

This week I’d like to talk about one of the few things I’m actually decent at when it comes to writing: consistency.

I may not be so great when it comes to painting vivid scenes and bringing characters to life and even just putting words together nicely on a page. But as far as setting aside time to write every day and actually sticking to it, I’m practically Einstein.

Tips-y Tuesday: Finding “The One”

Last week on Tips-y Tuesday we saw how the Hammer of Detail can crack open scenes like eggs and let flow the juicy rainbows hidden within.

This week I’d like to take a break from talking about writing (with a lowercase w) and look at Writing (uppercase!) instead

The difference? Writing (uppercase!) is everything concerning writing that doesn’t involve words on the page. It’s scheduling time to write, getting in the zone, minimizing distractions, overcoming rejection, etc etc. It’s just as important as writing (lowercase!), since you could have the greatest story idea ever, but if it never actually gets written and published, it’s the same as if you never wrote it.

Tips-y Tuesday: Cracking Open Scenes

Last week on Tips-y Tuesday we looked at how illogic can make your writing feel more real and exciting than something perfectly logical. This week we’ll look at another way to make your writing come alive: cracking open scenes.

As a writer, one of my greatest weaknesses is writing too generically. I forget that the reader isn’t inside my brain and can’t see everything I’m seeing. So what I like to do when I go back and edit is making sure I’ve “cracked open” any generic scenes.

What I mean by that is taking a bland scene then opening it up to reveal hidden, juicy details. Here’s an example of a scene in desperate need of some cracking: